A solemn musical setting for the Kontakion to the Most Holy Theotokos, «O Protection of Christians.» This profound hymn of petition and trust in the Mother of God’s intercession is a staple of the Divine Liturgy. This arrangement is adapted for English-speaking choirs, maintaining the traditional prayerful melody and clarity of the text.

A selection of musical settings for the Introit of the Divine Liturgy, «Come, let us worship.» This collection provides several arrangements suitable for the Small Entrance, featuring settings in both English and Slavonic to serve various liturgical needs and choral traditions within the parish.

A selection of musical settings for the Third Antiphon of the Divine Liturgy, known as the Beatitudes. These arrangements for English-speaking choirs include a standard liturgical setting and the solemn melody of the Krasnagorsk Monastery tradition, maintaining the prayerful and instructional character of the Gospel verses.

A liturgical setting of the hymn «Only-Begotten Son,» traditionally attributed to Emperor Justinian. This profound dogmatic hymn, sung during the second antiphon of the Divine Liturgy, encapsulates the Orthodox teaching on the Incarnation and the nature of Christ. This arrangement is adapted for English-speaking choirs, preserving the prayerful solemnity of the liturgical tradition.

A selection of musical settings for the first and second antiphons of the Divine Liturgy (Psalms 102 and 145) in English. This collection provides different choral structures, offering both quasi-antiphonal arrangements that mimic traditional alternating styles and settings with full four-part harmony throughout, suitable for various choir sizes and liturgical preferences.

A comprehensive collection of musical settings for the Dismissals of the Divine Liturgy in English. This selection features a wide array of international Orthodox traditions, providing various choral responses that maintain the solemnity and prayerful conclusion of the service across different melodic styles, from traditional plainchants to distinct regional melodies.

A collection of musical settings for Psalm 33 («I will bless the Lord at all times»), traditionally sung at the conclusion of the Divine Liturgy. This selection features a variety of melodies adapted for English-speaking choirs, including the arrangement by P. Mironitsky, the ancient Novgorod chant, and standard Obikhod settings.

A collection of musical settings for the Communion Hymn «Receive the Body of Christ,» used during the Divine Liturgy. This selection features a diverse range of Orthodox choral traditions adapted for English and Slavonic use, including the solemn melodies of the Kiev Caves and Valaam monasteries, traditional Moscow chants, and unique Serbian and Alaskan settings.

A comprehensive collection of musical settings dedicated to the Mother of God during the Divine Liturgy. This selection includes various melodies for «It is Truly Meet» (St. John Chrysostom) and «All of Creation Rejoices» (St. Basil the Great), featuring traditional Carpathian, Byzantine, and Alaskan chants, as well as specific monastic melodies from Valaam and Yablochinsky monasteries.

A collection of musical settings for the Anaphora, the most solemn part of the Divine Liturgy. This selection offers various traditional chants adapted for English-speaking choirs, including 2-part arrangements of Moscow and Znamenny melodies, the austere Valaam chant, and the specific Kievan setting for the Liturgy of St. Basil the Great, alongside the distinct Alaskan choral tradition.