A solemn musical setting for the hymn «The prophets proclaimed thee of old,» traditionally sung during the hierarchical service. This beautiful hymn enumerates the various Old Testament prefigurations and symbols of the Mother of God, from the Jar of Manna to the Mountain Unhewn. This arrangement is adapted for English-speaking choirs, preserving the majestic and prayerful character of the liturgical chant.

A melodic musical setting for the liturgical hymn «From the rising of the sun to its setting, the name of the Lord is to be praised.» This arrangement by R. Astley is designed for English-speaking choirs, offering a prayerful and clear harmonic structure that enhances the concluding moments of the Divine Liturgy.

A collection of musical settings for the hymn «Thou that Proclaimest Glad Tidings,» traditionally sung at the Primatial Hierarchical Liturgy. This selection offers several choral traditions adapted for English-speaking choirs, including the standard Obikhod settings, the solemn arrangement by D. Soloviev, and the distinct Tver Melody with a specific version for women’s voices, all maintaining the grandeur of the hierarchical service.

A comprehensive collection of musical settings for the greeting of a Bishop, «Ton Despotin kai Archieria imon.» This selection features a wide array of Orthodox choral traditions, including arrangements for both mixed and male choirs. From the ancient Demestvenny chant and traditional Moscow melodies to regional variations such as Serbian, Romanian, and the unique Harbin melody, these settings preserve the solemnity and liturgical grandeur of the hierarchical service.

A selection of musical settings for the liturgical hymn «Blessed be the name of the Lord,» traditionally sung towards the conclusion of the Divine Liturgy. This collection offers various choral traditions in English, including the standard Obikhod chant for mixed and male voices, and the majestic Lavra Chant settings, known for their solemnity and prayerful depth.